Digital
Graphic Designesque
Ivory and Whiteness (2022). This booklet was made for my Gothic Art History class, compiling a series of statues to show the effect of racial identity expressed through sculpture.
Ivory and Whiteness (2022). This booklet was made for my Gothic Art History class, compiling a series of statues to show the effect of racial identity expressed through sculpture.
Ivory and Whiteness (2022). This booklet was made for my Gothic Art History class, compiling a series of statues to show the effect of racial identity expressed through sculpture.
Ivory and Whiteness (2022). This booklet was made for my Gothic Art History class, compiling a series of statues to show the effect of racial identity expressed through sculpture.
Seperation (2021). Highlighting some shots from an accompanying sculpture piece and giving context on the processing and slaughter of pigs.
Seperation (2021). Highlighting some shots from an accompanying sculpture piece and giving context on the processing and slaughter of pigs.
Seperation (2021). Highlighting some shots from an accompanying sculpture piece and giving context on the processing and slaughter of pigs.
Seperation (2021). Highlighting some shots from an accompanying sculpture piece and giving context on the processing and slaughter of pigs.
Seperation (2021). Highlighting some shots from an accompanying sculpture piece and giving context on the processing and slaughter of pigs.
Seperation (2021). Highlighting some shots from an accompanying sculpture piece and giving context on the processing and slaughter of pigs.
Seperation (2021). Highlighting some shots from an accompanying sculpture piece and giving context on the processing and slaughter of pigs.
Seperation (2021). Highlighting some shots from an accompanying sculpture piece and giving context on the processing and slaughter of pigs.
Seperation (2021). Highlighting some shots from an accompanying sculpture piece and giving context on the processing and slaughter of pigs.
Seperation (2021). Highlighting some shots from an accompanying sculpture piece and giving context on the processing and slaughter of pigs.
Seperation (2021). Highlighting some shots from an accompanying sculpture piece and giving context on the processing and slaughter of pigs.
Seperation (2021). Highlighting some shots from an accompanying sculpture piece and giving context on the processing and slaughter of pigs.
How to Live in Harmony (2022). A small booklet of rules made for the GVSU students to understand what is allowed on the walls of a gallery space and other areas.
How to Live in Harmony (2022). A small booklet of rules made for the GVSU students to understand what is allowed on the walls of a gallery space and other areas.
How to Live in Harmony (2022). A small booklet of rules made for the GVSU students to understand what is allowed on the walls of a gallery space and other areas.
How to Live in Harmony (2022). A small booklet of rules made for the GVSU students to understand what is allowed on the walls of a gallery space and other areas.
Remind me of my Humanity (2022). A booklet I helped edit and organize along with some other students such as Tess Clark and Tiffany Wells.
Remind me of my Humanity (2022). A booklet I helped edit and organize along with some other students such as Tess Clark and Tiffany Wells.
Remind me of my Humanity (2022). A booklet I helped edit and organize along with some other students such as Tess Clark and Tiffany Wells.
Remind me of my Humanity (2022). A booklet I helped edit and organize along with some other students such as Tess Clark and Tiffany Wells.
Remind me of my Humanity (2022). A booklet I helped edit and organize along with some other students such as Tess Clark and Tiffany Wells.
Remind me of my Humanity (2022). A booklet I helped edit and organize along with some other students such as Tess Clark and Tiffany Wells.
Remind me of my Humanity (2022). A booklet I helped edit and organize along with some other students such as Tess Clark and Tiffany Wells.
Remind me of my Humanity (2022). A booklet I helped edit and organize along with some other students such as Tess Clark and Tiffany Wells.
Remind me of my Humanity (2022). A booklet I helped edit and organize along with some other students such as Tess Clark and Tiffany Wells.
Remind me of my Humanity (2022). A booklet I helped edit and organize along with some other students such as Tess Clark and Tiffany Wells.
Breaking Through (2023), digital collage.
Created for a painting exhibit showcasing works from various students from the previous year’s painting class.
Plight of the Common Couch (2021).
Reception cards were designed by myself and edited to look old by my awesome friend and peer, Sam Arnone. The exhibit it belongs to involved an installation describing the diversity of class within the 1911 Labor Strike that occurred in the Grand Rapids furniture industry.
Miscellaneous Works
