Illustration
Illustrated Novels ‘n Alike
I heard a Fly- buzz when I died- by Emily Dickinson (1896). A short usually untitled poem by Dickinson that was illustrated by me (2022) using digital charcoal.
I heard a Fly- buzz when I died- by Emily Dickinson (1896). A short usually untitled poem by Dickinson that was illustrated by me (2022) using digital charcoal.
I heard a Fly- buzz when I died- by Emily Dickinson (1896). A short usually untitled poem by Dickinson that was illustrated by me (2022) using digital charcoal.
I heard a Fly- buzz when I died- by Emily Dickinson (1896). A short usually untitled poem by Dickinson that was illustrated by me (2022) using digital charcoal.
I heard a Fly- buzz when I died- by Emily Dickinson (1896). A short usually untitled poem by Dickinson that was illustrated by me (2022) using digital charcoal.
I heard a Fly- buzz when I died- by Emily Dickinson (1896). A short usually untitled poem by Dickinson that was illustrated by me (2022) using digital charcoal.
I heard a Fly- buzz when I died- by Emily Dickinson (1896). A short usually untitled poem by Dickinson that was illustrated by me (2022) using digital charcoal.
I heard a Fly- buzz when I died- by Emily Dickinson (1896). A short usually untitled poem by Dickinson that was illustrated by me (2022) using digital charcoal.
I heard a Fly- buzz when I died- by Emily Dickinson (1896). A short usually untitled poem by Dickinson that was illustrated by me (2022) using digital charcoal.
I heard a Fly- buzz when I died- by Emily Dickinson (1896). A short usually untitled poem by Dickinson that was illustrated by me (2022) using digital charcoal.
I heard a Fly- buzz when I died- by Emily Dickinson (1896). A short usually untitled poem by Dickinson that was illustrated by me (2022) using digital charcoal.
I heard a Fly- buzz when I died- by Emily Dickinson (1896). A short usually untitled poem by Dickinson that was illustrated by me (2022) using digital charcoal.
Into the Forest (2021), digital comic, story and illustration by Isabella K. Good. Following the askew memories of a woman plagued by flashbacks of her childhood.
Into the Forest (2021), digital comic, story and illustration by Isabella K. Good. Following the askew memories of a woman plagued by flashbacks of her childhood.
Into the Forest (2021), digital comic, story and illustration by Isabella K. Good. Following the askew memories of a woman plagued by flashbacks of her childhood.
Into the Forest (2021), digital comic, story and illustration by Isabella K. Good. Following the askew memories of a woman plagued by flashbacks of her childhood.
Into the Forest (2021), digital comic, story and illustration by Isabella K. Good. Following the askew memories of a woman plagued by flashbacks of her childhood.
Miscellaneous Works
Butterworth Hospital est.1932. 11x14”, Graphite, Handstamped Copper Plate.
This piece was my very first commission for a retiring lady who worked at Corewell Hospital. Butterworth was the place she was born so it held a very special place in her heart, working on this was a challenge to make sure I balanced both realism and the emotional connection she had to it.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
Genetic Modification of the Farm (2023), charcoal and Posca paint markers on paper, 4'x8'. Made during an expressionism segment of class, the purpose is to look at what could be in the future in terms of modifying animals for more meat.
The Abandoned House of Demeter (2023), graphite pencil on rives paper.
The Abandoned House of Demeter (2023), graphite pencil on rives paper.
The Abandoned House of Demeter (2023), graphite pencil on rives paper.
The Abandoned House of Demeter (2023), graphite pencil on rives paper.
The Abandoned House of Demeter (2023), graphite pencil on rives paper.
The Abandoned House of Demeter (2023), graphite pencil on rives paper.
The Abandoned House of Demeter (2023), graphite pencil on rives paper.
The Abandoned House of Demeter (2023), graphite pencil on rives paper.
The Abandoned House of Demeter (2023), graphite pencil on rives paper.
The Abandoned House of Demeter (2023), graphite pencil on rives paper.
The Abandoned House of Demeter (2023), graphite pencil on rives paper.
The Abandoned House of Demeter (2023), graphite pencil on rives paper.
Rendition of an Exquisite Corpse (2023), charcoal on paper, 8"x11". Starting off as a folded piece of paper that has the ability to create essentially a monster between multiple artists. Created with friends then turned into a more detailed version.
Rendition of an Exquisite Corpse (2023), charcoal on paper, 8"x11". Starting off as a folded piece of paper that has the ability to create essentially a monster between multiple artists. Created with friends then turned into a more detailed version.
Rendition of an Exquisite Corpse (2023), charcoal on paper, 8"x11". Starting off as a folded piece of paper that has the ability to create essentially a monster between multiple artists. Created with friends then turned into a more detailed version.
Rendition of an Exquisite Corpse (2023), charcoal on paper, 8"x11". Starting off as a folded piece of paper that has the ability to create essentially a monster between multiple artists. Created with friends then turned into a more detailed version.
Rendition of an Exquisite Corpse (2023), charcoal on paper, 8"x11". Starting off as a folded piece of paper that has the ability to create essentially a monster between multiple artists. Created with friends then turned into a more detailed version.
Of Course There's a Sacrifice (2021) - digital, proposal for a main scene within a comic.
Metamorphosis Cover (2020), digital - proposed book cover assignment.
Color Of A Cow (2023), 2'x4', watercolor and India ink - automatic painting.
Commission for my Mother, Simpson-style.